Usually, I can’t wait to finish blocking a project, especially one that involves lace. It is so satisfying to watch the lace bloom in water, and for the knit to surprise me with its actual form and pattern. The past few months of living in limbo with our things in storage made it hard for me to block this shawl. I couldn’t find the blocking wires, and frankly, there wasn’t much space to properly lay it out. I finished knitting this Estuary Shawl designed by Tin Can Knits a while ago, and it’s been so long that I don’t remember what size needles I used and when I even started it. I do remember that the beginning wasn’t that intuitive for me and I had to unravel many times. But, look at it now. So totally worth it.
I fractally spun this yarn, and the fiber comes from Hello Yarn. One of the things about fractal spinning is the way the colors become separated and then repeated. I divided the top into many thin strips and so the color shifts are more frequent.
This lovely BFL and silk blend is “Slither” and is from the November 2012 club, and I was lucky to have purchased this from someone on Ravelry. I love BFL and silk blends and spinning them finely to create a thin yarn with a soft haloed sheen. With BFL blends, I’ve learned to relax and let the yarn be loosely plied. It gives a lovely drape that is perfect for shawls.
Here it is: BLF/Silk “Slither” from Hello Yarn. I love the little bits of light blue hidden in the vortex of this extremely poofy skein.
It is autumn in Portland already, and the trees that line our daily drive to work and back have started deepening into yellows, oranges and reds. We’ve unpacked and settled into the routine of life in the Pacific Northwest. Our time in the Southwest feels far away and long ago.
I began this shawl, designed by Anne Podlesak of Wooly Wonka Fiber, just as we headed off on our three-week road trip home, and it’s become the link that connects our present in Oregon to our past in Texas. I will always think of theses colors as inseparable from the landscape of the Southwest and the places that we visited on our way back.
Sometimes we rely on images to preserve special moments. Sometimes we preserve memories in other forms.
Guess what arrived in the mail?!
These skeins from Wooly Wonka Fibers are even more gorgeous in person. This is Ceridwen Sock yarn in 100% superwash merino. The larger skein is “Bitterroot” and the smaller ones are from the Transitional Skein Set in “Autumnal.” There is a total of 400 yards in each of these sets, the same as the larger skein and enough for a pair of socks.
I’m going to be knitting a sample Stratocaster Shawl designed by Anne Podlesak of Wooly Wonka, and I couldn’t be more excited. The shawl is half-circular and half-hexagon, and the alternating stripes of garter stitch and stockinette bands will really let this color combination shine. I especially like these beautiful fall colors as they are reminiscent of the sunburst color of the vintage stratocasters.
Out there in internet land. If only you could feel how soft this is.
You, too, would wear it in 80 degrees weather,
Rub it against your husband’s face, gushing, “Isn’t it sooooo soft???”
And when he shrinks away from the shawl in his face,
You know he secretly wishes he had one of his own.
Pattern: Boneyard Shawl by Stephen West
Handspun yarn: Pigeonroof Studio’s “Tangerine Dream” in 85 polworth/15 silk blend. The braid was split length-wise down the middle into two, and then spun across the top of each section. This is a 2-ply yarn in fingering weight.